Minggu, 29 Januari 2017

How to Lucid Dream


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THE LUCID GUIDE

Partner Assisted Lucidity (PAL) Technique

By Daniel Love

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Today we're going to explore one of the most powerful and a uniquely social lucid dream induction techniques.

It's also a lot of fun.

This is a great place to start lucid dreaming and is one of the most effective methods available.

It's perfectly suited to those who are new to the subject - who want their first taste of a lucid dream - but also offers a great deal of room for experimentation for experienced dreamers.

This is a technique that isn't often discussed, as it does require a little preparation. But when the circumstances are right, it offers room to explore lucid dreaming in a great deal more depth than other methods.

It's essentially your own miniature sleep laboratory!

Overview – Partner Assisted Lucidity (PAL)

If we're completely honest, lucid dreaming isn't really known for being the most social of interests. In fact, often it's a lone pursuit - just you, your dream journal and the landscape of your mind.  

But this technique called PAL (or Partner Assisted Lucidity) breaks down that wall and turns lucid dream exploration into a social event.

Now to be fair, the strength of this technique is also its weakness. It requires working with a partner -something that may not always be suitable for your circumstances.  

So, don’t consider this a personal technique for nightly lucid dreaming. Instead think of it as a power technique that can be used occasionally and with great effect.

So, if you get the chance, it's well worth putting in the effort.

The information and feedback that you'll gain will far outweigh the effort involved – and it's also just a lot of fun.

There's a good scientific basis behind the process. So before we get into the technique itself, it's important to understand the principles behind it.

The scientific principals

Essentially (and without wanting to get too technical) studies have shown that in standard, non-lucid dreams a section of your brain called the PreFrontal Cortex is mostly shut down or subdued.

However, in a lucid dream, the activity of the prefrontal cortex is very similar to that when awake.  

Therefore, it could be argued that in order to have a lucid dream we need to “kickstart” the prefrontal cortex to "wake it up" while still dreaming.

 The PreFrontal Cortex is at the front of the brain, basically just behind your forehead.

 To overly simplify its role, think of it as the seat of reason, logical thought, complex cognitive behaviours, personality expression, decision making and (importantly in the case of this technique) moderating social behaviour.

In essence, this is the "modern" area of the brain, where a great deal of what differentiates humans from the animal kingdom occurs.

So why is this important?

Well, when attempting to induce a lucid dream, we're trying to activate an area of the brain that is normally dormant in dreaming. And we know that among its functions is the moderation of social interactions.

So, we can make an assumption that if we place ourselves in a situation that requires these social functions, then we'll have an increased chance of engaging that entire area - and hopefully this will act as a springboard for a lucid dream!

That's an oversimplification - but it gives you the general idea.

So onto the technique.

Finding a partner to assist

Firstly - and this is kind of the difficult part - you'll need to find a dream exploration partner.

This has to be someone you spend a regular amount of time with and shares your interest in dreaming. Someone with whom you are comfortable enough to (and have the opportunity to) sleep in the same bed as.  

A close friend or romantic partner are good choices. If you already share a bed, that's ideal.

Daytime Practice – “The Game”

During your waking hours you'll play a “social game” together. Agree this with your partner.

You can play this game for a single day, or extend it over the course of weeks. It's up to you, but the longer the better.

The game is as follows:

During your time spent together, each of you will occasionally try and slip a phrase into the conversation.

You'll both be trying to say the phrase without the other noticing. At the same time, you're both trying to catch the moment when the other uses it.

A perfect phrase would be "You Are Dreaming?" or "Are You Dreaming?"

You win each round of the game if you say the phrase without being noticed, or notice the phrase being said by your partner.

Whichever is the case, if you win, you must stop the conversation and point this out to your partner!

So, say you're out for a coffee, and your friend mentions the phrase in passing. You catch them doing it, so you let them know you've caught them!

At this point you both have to perform what is known as a reality check.

This is a simple check to establish if you're dreaming or awake. The simplest being the "nose pinch test", where you'll pinch your nose and try to breathe through it. If you can breathe through your pinched nose, then you're dreaming. If you can't, you're awake!

Now, if you want, you could up the stakes of the game and focus your minds a little more. For example, whoever loses the most in one day buys the other a coffee.

This adds a little extra motivation and excitement to the process.

The point of all of this is that you are both aiming to keep the other's mind focused and attentive.

You're also creating a connection with the phrase "You Are Dreaming" and a reality check. So you're building a habit and increasing awareness.  You're also giving your prefrontal cortex a bit of a workout.

Night time practice – Spotting REM and speaking the phrase

This is where the lucid dreaming occurs.

So, if your dream partner is already your romantic partner, you probably already share a bed (which is ideal).

If not, then arrange to sleep in the same space on a weekly basis – or whenever is convenient.

Your aim is to wake a couple of hours early the next morning. Then one of you will return to sleep for a nap, whilst the other acts as an observer.

Of course, you'll have to decide between yourselves who will play which role.

Just be sure to be fair and take equal turns in future attempts!

So, if your role is to sleep, then you'll simply be returning to sleep. Make sure to use a position that will allow your dream partner to observe your eyes.

The observer will carefully watch your eyes as you fall asleep.

They should look for the familiar rapid eye movements (REM) that signal dreaming has begun.

They will then occasionally (although quietly) start to say out loud the agreed upon phrase. In our example, "You Are Dreaming?".

Rapid Eye Movements are very easy to spot, so the observer should have no trouble doing this.

The goal here should be obvious. With your previous daytime training, the sleeper's mind has been trained to recognise this phrase and then perform a reality test.

Of course, when they do this in the dream world their test will inform them that they are indeed dreaming -and this will instigate a lucid dream.

This is the premise of most modern lucid dream induction devices - only here we have additional elements working in our favour.

Combined with the social pressure (that will hopefully keep the prefrontal cortex in a more aroused state) and the fact that you've woken early (giving your mind the opportunity to enter a more engaged state of awareness) this should give you a very high likelihood of entering a lucid dream.

So that's the basics of the technique.

It sounds a little more complicated than it really is. In practice, it's a huge amount of fun!

In fact, even just the Night Time Practice part of the technique -without the daytime practice - can be effective on its own, but to a much lesser extent.

What this process also allows for - which is singular among lucid dreaming techniques - is that the observer has the opportunity to discover and record your unique sleeping habits.  

Perhaps you enter REM rapidly - or maybe it takes a long time. Whichever the case, this is one of the only ways to learn this. This information can be applied to your private lucid dreaming practices.

Therefore, it's useful for the observer to make notes about these and any other details they notice.

Final Thoughts

So that's the Partner Assisted Lucidity technique.

I highly recommend giving it a try!

It's great for couples, friends, and a great chance to demonstrate lucid dreaming to those who have yet to experience it.

It also has lots of room for development. For example, you could decide upon certain eye movements that will act as signals from the dream world to the observer.

This is a common procedure when studying dreams in the lab. So from there on, there's huge room for creativity and experimentation.

You could in the (extremely) rare position of being able to say that you have sent a communication between the dream world and the waking world!

If this is a technique you'd like to try, why not share this article with a potential dream partner and see what they think?

Finally, if you appreciate this kind of content, please be sure to like the video and subscribe to the YouTube channel. It really helps inspire me to create more material for you guys and is a great way to show your support.

And - as always - if you have any questions, thoughts or feedback, just drop them in the comment section below.

My videos are made possible by the very kind support of my patrons. If you'd like to help support the channel, just follow the Patreon link.

I'm Daniel Love: The Lucid Guide - and until next time - sweet dreams.

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About the author

Daniel Love is a British lucid dreaming researcher, whose goal is to share lucid dreaming in an honest and thoughtful manner. He aims to dispel some of the myths and misunderstandings surrounding the subject, with the hope that it will help bring the wonders and benefits of lucid dreaming to a wider audience.

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Senin, 23 Januari 2017

David Juritz


David Juritz Violinist

David Juritz is one of the most versatile violinists currently working in the UK, dividing his time between solo performances, directing, chamber music, working as guest leader with many of Britain’s finest orchestra and leading his own group, the London Tango Quintet.

David Juritz was born in Cape Town, South Africa and, after winning a scholarship from the Associated Board of the Royal Schools of Music, came to London to study at the Royal College of Music with Hugh Bean and Jaroslav Vanecek. During his time at the RCM he won all the major prizes for violin including the college’s highest award, the Tagore Gold Medal.

On leaving the RCM he joined the English Chamber Orchestra. From 1991 to 2010 he was the leader of the London Mozart Players, the longest serving leader in that orchestra’s history. He made many appearances as soloist and director with the LMP, including his debut at the 2006 BBC Promenade Concerts.

He has directed the Royal Philharmonic, Zurich Chamber Orchestra and Mozart Festival Orchestra as well as many other ensembles. From 2010 to 2012 he directed the Johann Strauss Orchestra on nationwide tours to widespread acclaim.

In 2010 he was invited to become one of the inaugural members of the Quartet of Peace, playing on instruments dedicated to South Africa’s four Nobel Peace Prize winners, in a series of concerts in Cape Town, Leipzig, Liverpool, London and Paris. Other recent performances have included appearances as soloist and director at the Tonhalle in Zurich, performances of the Beethoven and Brahms violin concertos with the Shin Nippon Symphony Orchestra in Tokyo, the Tchaikovsky concerto with the London Concert Orchestra at the Barbican, the world premiere of ‘Tales from South America’, a new tango concerto written for him by Cecilia McDowall and concerts directing the Szczecin Philharmonic in Poland.

His recording of the Vivaldi Four Seasons, re-released by Nimbus Alliance in 2012, has been widely hailed by critics as one of the finest interpretations of that much-recorded work. David’s recording of Bach’s Sonatas and Partitas for Violin Solo, released on the same label in May 2011, was also warmly received by the music press. 

In 2005 he took on the role of director of the Burton Bradstock Festival in Dorset. In 2007 he took a five-month sabbatical to busk around the world. On the 60,000 mile journey through 50 cities in 24 countries on six continents, he paid for the entire journey with his busking earnings by playing Bach on the streets. He used the trip to launch Musequality, a charity supporting music education projects for disadvantaged children in developing countries. He remains deeply committed to encouraging young musicians in the developing world. In 2011 he travelled to Kurdistan to spend two weeks coaching young musicians of the National Youth Orchestra of Iraq.

David plays on a violin made by J.B. Guadagnini in Piacenza in 1748.

Biography

B i o g r a p h y

Acclaimed for her beautiful sound and passionate performances, violinist Delyana Lazarova is a young artist with a growing international career as a soloist, conductor and chamber musician.  A native of Plovdiv, Bulgaria, she began formal violin studies at the age of 5.  Only a few years later, she won the First Prize at the National Violin Competition “Svetoslav Obretenov.”  By the age of 16, Ms. Lazarova had already won top prizes in national and international violin competitions and made her solo orchestral debuts with the Plovdiv and Pazardjik Philharmonic Orchestras in Bulgaria.

Delyana Lazarova joined the Montgomery Symphony Orchestra in 2013 as Concertmaster and Artist-in-Residence.  Shortly thereafter, she made her Montgomery solo debut performing Tchaikovsky's Concerto for Violin.  Previously, she held the position of Assistant Concertmaster with both the Baton Rouge Symphony Orchestra and the Owensboro Symphony Orchestra, and was a member of the Evansville Philharmonic Orchestra and Acadiana Symphony Orchestra.  Delyana Lazarova has performed with such conductors as Leonard Slatkin, David Effron, Arthur Fagan, JoAnn Falletta, Carl St.Clair, Jamie Laredo, and Thomas Wilkins.

An active recitalist, Ms. Lazarova has performed extensively in Europe, including concerts in Bulgaria, Romania, Denmark, Sweden, Germany, Austria, France, Switzerland, Spain and the Czech Republic, as well as concerts in the United States, Canada and Israel.  Recently, she made her debut at the prestigious Steinway Hall in New York City. 

 

Delyana Lazarova is a laureate of several international violin competitions, including the Enescu Competition in Romania and the Young Musical Virtuosi Competitons in Bulgaria.  She is the first recipient of the Sidney M. Blitzer Award in Violin Performance, the winner of the Baton Rouge Music Club’s Award for Young Artists, and a two-time Concerto Competition Winner of the Dean Competition at Louisiana State University, where she performed Paganini's Violin Concerto No. 2 and Tchaikovsky's Violin Concerto.

 

As a member of the Duo Petrova-Lazarova, she recently won the Special Jury Prize at the International Chamber Music Competition "Castilla y Leon" in Valladolid, Spain, in May 2015. Delyana Lazarova has participated in the Brightmusic Chamber Music Ensemble concert series in collaboration with Daniel Blumenthal in the United States and Denmark.  She has also taken part in the chamber music series at the Round Top Music Festival, in collaboration with Kevork Mardirossian, Lee Phillips and Yuval Gotlibovich.  Recently, Ms. Lazarova was invited to participate in the Schubert Celebration in Bloomington, Indiana, where she collaborated with  James Campbell in the world premiere of Brian Newbould's clarinet quintet transcription of Schubert's Sonatina in A Minor.

 

Ms. Lazarova’s educational background includes a Bachelors Degree, Masters Degree and Performance Diploma from Indiana University's Jacobs School of Music, where she studied with Kevork Mardirossian and Mauricio Fuks.  She received a special scholarship for artistic excellence for her degree work at Indiana.

 

In 2014, Delyana Lazarova joined the music faculty of Alabama State University.  A devoted teacher, her students have won numerous prizes at national music competitions and admission with scholarship to various summer festivals, including Tanglewood Music Festival.

 

Ms. Lazarova plays on a 1978 Petrus Sgaraboto Mediolani violin, on generous loan from a private collector in Georgia.

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Sabtu, 21 Januari 2017

Joo Yeon sir bio

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 © Diana Roberts

"Exuberant... feline and seductive, rattling off the fiendish cadenza with bravura and oodles of personality"

(Strad Magazine 2013, Wigmore Hall recital supported by Tillett Trust Young Concert Artist Platform)

 

Korean-born British violinist Joo Yeon Sir is winner of the prestigious The Arts Club Karl Jenkins Classical Music Award 2014 in association with Classic FM, and the Royal College of Music's President's Award presented by HRH The Prince of Wales. She has performed at Royal Albert Hall with Royal Philharmonic Orchestra at the invitation of Sir Karl Jenkins, Royal Festival Hall, Wigmore Hall, Manchester Bridgewater Hall, Fairfield Halls and at St James's Palace in the presence of HRH The Prince of Wales. She has appeared live on BBC Radio 3 In Tune and her performances broadcast on Classic FM.

 

In 2006, aged sixteen, Joo Yeon was overall Grand Prix Laureate at the Nedyalka Simeonova International Violin Competition in Bulgaria, where her gala performance was broadcast on Bulgarian National Radio. Since then, she has been recipient of Royal Philharmonic Society Emily Anderson Award, and selected for St. John's Smith Square Young Concert Artist Residency, Making Music Philip & Dorothy Green Award for Young Concert Artists and Tillett Trust Young Concert Artist Platform. Following studies with Dr. Felix Andrievsky at the Purcell School of Music and at the Royal College of Music as a Scholar where she twice won the Concerto Competition, Joo Yeon was also Constant & Kit Lambert Junior Fellow 2014-2015 awarded by The Worshipful Company of Musicians, presenting a sold-out concert series of the complete Beethoven's 10 Sonatas for Violin and Piano cycle with 10 different pianists as part of herIllustrator of Violin Repertoire project at RCM.

 

Also a composer, Joo Yeon won the coveted title of BBC/Guardian Young Composer of the Year in 2005; her works have been performed at Wigmore Hall, Cadogan Hall, Queen Elizabeth Hall, National Gallery, National Portrait Gallery, Cheltenham Town Hall and broadcast on BBC Radio 3. At present, she is working closely on transcriptions and compositions with her violin-guitar duo partner Laura Snowden forSnowden-Sir Duo, supported by International Guitar Foundation Young Artists Platform. The duo is also committed to bringing music to the wider community, performing at St. Wilfred's Care Home, Chelsea & Westminster Hospital and Guy's and St. Thomas' Hospital. The duo was invited to work with Royal College of Music Junior Department Composition Faculty, premiering the students' works in May 2015 and have recently collaborated with The Ionian Singers and Timothy Salter.

 

Future highlights include appearance on Deutsche Grammophon CD for Sir Karl Jenkins' Cantata Memoria - For the Children and the world premiere of the work at Wales Millennium Centre with Sinfonia Cymru, a return to Royal Festival Hall with London Concert Orchestra and a debut with London Mozart Players.

 

Joo Yeon plays on a Matteo Goffriller violin kindly provided by Georg von Opel.

 

(Last updated September 2016) 

 

For audio and video recordings of Joo Yeon's performances, please visit her YouTube channel here:www.youtube.com/jooyeonsir

If you would like to join Joo Yeon's mailing list, please contact her: jymsir@hotmail.com

 

© JOO YEON SIR | created at www.mrsite.com

Emil Altschuler

EMIL ALTSCHULER

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Biography

Acclaimed violinist Emil Altschuler is a master of his instrument who performs with incredible technique, magnificent expression and a profound artistry across a wide-ranging repertoire.  The Strad praises “Passion and portamento from a young American violinist”, and The Whole Note writes “There’s a decidedly old-style feel to…very reminiscent of Heifetz.” Erick Friedman, master violinist and protégé of the legendary Jascha Heifetz, wrote “…a truly outstanding violinist of his generation…and sound and accuracy of intonation that are truly extraordinary.”

He received his Bachelor of Music from The Juilliard School where he studied with Dorothy DeLay and Naoko Tanaka, and his Masters of Music from The Yale School of Music, studying under Erick Friedman.

His brilliant technique and vigorous performances received energetic ovations in venues such as Lincoln Center, San Francisco’s Helen Von Ammon’s Emerging Artist Series, The Aspen Music Festival, and Italy’s Castello di Galeazza.  As a featured soloist, he has appeared with the Aspen Young Artist’s Orchestra, the Binghamton Philharmonic and the Binghamton University Chamber Orchestra.

Emil maintains an active career as a soloist and performs regularly with pianist Thomas Pandolfi reviving the old-style virtuoso program that made Paganini, Kriesler and Heifetz so famous including concerti, showpieces, transcriptions and sonatas. He feels most modern programming is too academic, involving many lengthy sonatas and not enough variety showing off the brilliance, versatility and popularity of the instrument.

He has also collaborated with Belgian guitarist and string faculty at New England Conservatory Jérôme Mouffe in the AM Duo interpreting Spanish, Tango, and contemporary works alongside classical masterpieces.

Emil Altschuler is also extensively involved in music education, having served as Head of Strings for the Festival Youth Orchestra, and as chamber music coach at the School of Continuing Education and Preparatory School.  He is also Community Music Instructor at Tufts University, regularly collaborating on the Tufts Composers and Faculty concerts;  he is also Violin Coach for the Tufts Youth Philharmonic. His most recent teaching engagement is as Instructor at Northeastern University.

Mr. Altschuler released his debut album “Emil Altschuler – Violin,” arranged with his brother Josiah Altschuler, with a gypsy jazz style guitar accompaniment.  He is also a featured artist on Josiah Altschuler’s debut album ‘Murder Ballads and Love Songs for Cello and Voice.’  Emil also recorded “Diablo y Tango” with guitar, which included works by de Falla and Piazzolla, and which was selected by renowned author and violin pedagogue Janice Tucker Rhoda for ‘The ABCs of Violin for the Absolute Beginner’ Books 1 and 3, published by Carl Fischer Music.

Emil Altschuler’s latest live recording with Thomas Pandolfi was featured on NPR from the Honest Brook Music Festival: http://wskg.org/arts/2015-honest-brook–festival-concerts-begin-on-wskg-radio. He also recently recorded a contemporary unaccompanied Partita by Christopher Marinuzzi and an album with pianist Keunyoung Sun, including Falla, Ravel, Albeniz, Poulenc, Bartok featuring brilliant works for violin & piano, performed with stunning virtuosity. This recording has been featured on NPR, HJCK in Bogotá, Colombia and broadcast on MDR KLASSIK in Halle, Germany. His next recording project is a Gershwin album of transcriptions by Jascha Heifetz with pianist Thomas Pandolfi.

He also maintains an active private studio in Boston, MA and teaches via Skype and video tutorials. For more information visitwww.emilaltschuler.com.

Copyright © 2017 Emil Altschuler      

Design & Development by Josiah Altschuler

Zenas Hsu bio

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BIOGRAPHY

Zenas Hsu is a Taiwanese-American violinist with a passion for chamber music, performing, teaching, and personal and entrepreneurial outreach. He is a founding member of the Zaffre String Quartet. Additionally, he is a founding member and current resident artist of Chamber Music by the Bay, a performance and educational series now in its fifth season in the San Francisco Bay Area. Currently based in Boston, Zenas is concertmaster and a founding member of Phoenix, an orchestral/chamber ensemble dedicated to bringing uncompromised performances to the modern audience. He was a prizewinner of the Fischoff National Chamber Music Association in 2013 as the violinist of Trio Concorde. He has also performed as a guest member of A Far Cry, the St. Paul Chamber Orchestra, and the Orpheus Chamber Orchestra.

 

Zenas's festival appearances include the Port Townsend Chamber Music Festival, Caroga Lake Music Festival, Four Seasons Chamber Music Festival, Banff Chamber Music Residency, Perlman Chamber Music Workshop, Yellow Barn, Lake George Music Festival, Taos Academy of Music, Music Academy of the West, Icicle Creek Chamber Music Institute, and Valdres Solo Academy. Zenas has studied chamber music with members of the Borromeo, Brentano, Cleveland, Guarneri, Juilliard, Leipzig, Miami, Shanghai, and St. Lawrence String Quartets, and with renowned musicians including Lucy Chapman, Hsinyun Huang, Gil Kalish, Meng-Chieh Li, Robert McDonald, Ian Swensen, Steven Tenenbom, Susan Bates, Laurence Lesser, and Vivian Weilerstein.

 

A native of California, Zenas received his early training primarily with Wei He in the preparatory division of the San Francisco Conservatory of Music while spending musical summers at Music@Menlo Chamber Music Institute, the New York String Orchestra Seminar, and the Hotchkiss Summer Portals. He was accepted at age sixteen to the Curtis Institute of Music to study with Ida Kavafian. Upon receiving his Bachelor of Music degree four years later, Zenas moved to Boston and received his Master of Music and Graduate Diploma degrees from the New England Conservatory of Music under the tutelage of Nicholas Kitchen and Donald Weilerstein.

 

He plays on a Gaspare Lorenzini violin on generous loan from the Chi Mei Museum Violin Collection.

Zenas's artistic endeavors include photography, recording engineering, and reading. He maintains a strong interest in the productive use of technology in the music world.

 

David Juritz


David Juritz Violinist

David Juritz is one of the most versatile violinists currently working in the UK, dividing his time between solo performances, directing, chamber music, working as guest leader with many of Britain’s finest orchestra and leading his own group, the London Tango Quintet.

David Juritz was born in Cape Town, South Africa and, after winning a scholarship from the Associated Board of the Royal Schools of Music, came to London to study at the Royal College of Music with Hugh Bean and Jaroslav Vanecek. During his time at the RCM he won all the major prizes for violin including the college’s highest award, the Tagore Gold Medal.

On leaving the RCM he joined the English Chamber Orchestra. From 1991 to 2010 he was the leader of the London Mozart Players, the longest serving leader in that orchestra’s history. He made many appearances as soloist and director with the LMP, including his debut at the 2006 BBC Promenade Concerts.

He has directed the Royal Philharmonic, Zurich Chamber Orchestra and Mozart Festival Orchestra as well as many other ensembles. From 2010 to 2012 he directed the Johann Strauss Orchestra on nationwide tours to widespread acclaim.

In 2010 he was invited to become one of the inaugural members of the Quartet of Peace, playing on instruments dedicated to South Africa’s four Nobel Peace Prize winners, in a series of concerts in Cape Town, Leipzig, Liverpool, London and Paris. Other recent performances have included appearances as soloist and director at the Tonhalle in Zurich, performances of the Beethoven and Brahms violin concertos with the Shin Nippon Symphony Orchestra in Tokyo, the Tchaikovsky concerto with the London Concert Orchestra at the Barbican, the world premiere of ‘Tales from South America’, a new tango concerto written for him by Cecilia McDowall and concerts directing the Szczecin Philharmonic in Poland.

His recording of the Vivaldi Four Seasons, re-released by Nimbus Alliance in 2012, has been widely hailed by critics as one of the finest interpretations of that much-recorded work. David’s recording of Bach’s Sonatas and Partitas for Violin Solo, released on the same label in May 2011, was also warmly received by the music press. 

In 2005 he took on the role of director of the Burton Bradstock Festival in Dorset. In 2007 he took a five-month sabbatical to busk around the world. On the 60,000 mile journey through 50 cities in 24 countries on six continents, he paid for the entire journey with his busking earnings by playing Bach on the streets. He used the trip to launch Musequality, a charity supporting music education projects for disadvantaged children in developing countries. He remains deeply committed to encouraging young musicians in the developing world. In 2011 he travelled to Kurdistan to spend two weeks coaching young musicians of the National Youth Orchestra of Iraq.

David plays on a violin made by J.B. Guadagnini in Piacenza in 1748.

Biography